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Digital Resurrection: Worried Minds

Restoring a Director’s Cinematic Identity

Overview

The Mission: After the original portfolio site was lost due to a technical mishap, the goal was to perform a complete "Digital Resurrection"- rebuilding the site from scratch in just 2 weeks while preserving and refining the brand’s minimalist DNA.

The Client: Yair Shvartz, an award-winning writer and director.

Role: Lead UI/UX Designer & Developer (Wix + Velo)

Timeline: 14 Days

Tools: Figma, Wix, Velo (Custom Code)

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Overview

The Mission: After the original portfolio site was lost due to a technical mishap, the goal was to perform a complete "Digital Resurrection"- rebuilding the site from scratch in just 2 weeks while preserving and refining the brand’s minimalist DNA.

The Client: Yair Shvartz, an award-winning writer and director.

Role: Lead UI/UX Designer & Developer (Wix + Velo)

Timeline: 14 Days

Tools: Figma, Wix, Velo (Custom Code)

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Original Site (Archived)

The Crisis (The Challenge)

The original site was completely offline, leaving the client without a professional presence. The constraints were tight:

  1. Zero Assets: No original source code or design files existed.

  2. Brand Continuity: The client requested a layout identical to the original, but the original was outdated (2017 style).

  3. Speed: A critical industry deadline required the site to be live within 14 days.

The Strategy: Reverse Engineering

Instead of just "copying," I treated this as a Reverse Engineering project. Using archived snapshots (Wayback Machine), I analyzed the original structure and identified opportunities for subtle yet impactful UX improvements:

  • Typography Overhaul: Replacing generic fonts with a refined, cinematic typeface.

  • Grid Alignment: Fixing inconsistent spacing to create a more stable, premium "Magazine" feel.

  • Interactivity: Introducing meaningful motion where it was previously static.

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Architecting the Visual Frame

Key Solutions

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1. The "Invisible" UI
(Refining Minimalism)

The challenge with extreme minimalism is that it can feel "empty." I refined the vertical text elements and dividers to act as a structural grid, guiding the eye through Yair's filmography without adding visual noise.

2. Custom Interactivity (Flip-Card Logic)

To solve the issue of presenting movie synopses without cluttering the clean visual layout, I implemented a Custom Flip-Card effect via Velo (CSS/JS).

  • UX Goal: Allow users to scan posters quickly and "flip" only for the projects they are interested in.

  • The Tech: Custom code was used to ensure the effect remains smooth and intuitive across all device sizes.

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3. Responsive Architecture

The original site was a desktop-only relic that lacked a functional mobile experience.
I redesigned the architecture to be fully responsive, ensuring that the cinematic atmosphere-including the typography and custom Velo interactions-remains intuitive and visually striking on all devices. This involved optimizing image delivery and adapting touch-target areas to provide a seamless mobile experience.

Before vs. After (Visual Evidence)

Design Note: While the structure remains familiar to the client, the execution was elevated through tighter kerning, consistent white space, and a faster, modernized engine.

The Before

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The After

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Full-Site Interface Showcase

A collection of the finalized high-fidelity screens. Each interface was individually designed to uphold the brand's minimalist 'Invisible UI' philosophy, providing a distraction-free environment for the film content.

Device-Agnostic Precision

I adapted the complex grid and vertical navigation to ensure a flawless experience across Desktop, Tablet, and Mobile.
Each breakpoint was individually refined to maintain the site's dramatic tone while optimizing for touch and readability.

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